Neville is trying to find a cure using his antibodies, testing first on zombie rats and then on the infected human subjects he keeps chained up in his underground lab. Neville is immune to infection but not to being killed by the creatures that keep him locked away at night, and on whom he experiments during the day. At night they lock down and stay silent, hidden from the initially unseen threat outside. He and the dog eat well from food scavenged during the day. Each day when the sun is at its highest point, he waits at a meeting place he’s broadcast on the radio for other survivors to find him. Neville is alone and talks only to his dog, Sam, and to mannequins he’s placed around shops and the street to try to emulate real life. Virtually silent except for flashbacks, Dr. The first hour of I Am Legend is incredibly sparse. But it’s so much better than that (until it’s not). What you might remember of I Am Legend is this: cool empty New York stuff, Batman V Superman logo on a building, Will Smith talks to mannequins, the dog dies, CGI zombies, the end. This is an hour of an excellent film, then 30-odd minutes of rubbish. since the mid ‘90s, with various talent attached, including Ridley Scott and Michael Bay as directors and Tom Cruise and Arnold Schwarzenegger to star.Īt its release the movie was praised for Smith’s performance but criticised for an overuse of CGI and a weak third act, but rewatching against the backdrop of 2021 what really sticks is how much of a wasted opportunity I Am Legend was. Directed by Francis Lawrence, who would go on to make the Hunger Games sequels, a new adaptation of Richard Matheson’s 1954 novel had been in the works at Warner Bros. Robert Neville, who thinks he’s the last man on Earth after a virus has wiped out most of the population. A year on and another pandemic movie has made it into Netflix’s top 10 – 2007’s I Am Legend, a horror sci-fi starring Will Smith as Dr. Whether out of morbid fascination or as a guideline to what we might see in the future it quickly topped charts on streaming services. Last March, confronted with a pandemic none of us had expected or understood, many people found themselves rewatching Steven Soderberg’s Contagion.
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